Play Along Piano

Tags

coral

"No la debemos dormir" (Cancionero de Upsala)

Stulta Auricula

1:06	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	1	3	100%
Alto	5	0	0	3	41%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	1	3	100%
Alto	5	0	3	41%
Bajo	6	0	3	41%
Tenor	6	0	3	41%

"Ven ven Señor no tardes" (Cesáreo Gabaráin)

Stulta Auricula

1:12	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	1	3	75%
	7	3	0	2	75%
Bajo eléctrico	6	0	0	4	100%
Guitarra eléctrica	11	5	0	4	88%
Alto	8	0	0	5	67%
Soprano	9	0	0	5	67%
Barítono	9	0	0	5	58%
Tenor	6	0	0	5	58%
Flauta	9	8	0	5	22%

"Maria es esa mujer" (Cesáreo Gabaráin)

Stulta Auricula

2:16	Est. Play Time
56	Measures
	1,534Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	12	4	5	73%
	18	13	0	5	49%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	12	4	5	73%
	18	13	0	5	49%
Guitarra eléctrica	20	20	4	3	100%
Bajo eléctrico	16	0	2	8	99%
Flauta	9	1	0	7	96%
Soprano	9	0	0	6	96%
Barítono	8	5	0	4	50%
Alto	7	0	0	4	49%
Tenor	6	0	0	4	47%
Violín	8	5	1	3	11%

"Madre de los jovenes" (Cesáreo Gabaráin)

Stulta Auricula

1:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	5	3	3	87%
	6	3	0	2	87%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	5	3	3	87%
	6	3	0	2	87%
Guitarra clásica	9	1	1	2	87%
Bajo eléctrico	12	0	2	4	82%
Tenor	9	0	2	6	70%
Alto	7	0	1	6	69%
Soprano	8	0	1	6	68%
Barítono	10	0	1	6	67%
Flauta	7	5	1	5	33%

"Caminad" (Kairoi)

Stulta Auricula

1:01	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	6	0	0	4	78%
Bajo eléctrico	5	0	0	5	70%
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Tenor	6	4	78%
Bajo eléctrico	5	5	70%
Soprano	6	4	52%
Flauta	6	5	48%
Alto	4	4	26%
Baritone	5	4	26%

"Cristo te necesita" (Cesáreo Gabaráin)

Stulta Auricula

0:55	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	7	1	4	100%
	18	8	3	4	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	7	1	4	100%
	18	8	3	4	97%
Bajo eléctrico	12	0	1	3	98%
Alto	7	0	1	4	73%
Soprano	11	0	1	4	73%
Barítono	8	0	1	5	60%
Tenor	13	0	2	5	60%
Flauta	9	0	1	5	31%

"Hoy he vuelto" (Cesáreo Gabaráin)

Stulta Auricula

2:39	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	2	7	100%
	18	12	3	5	95%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	10	2	7	100%
	18	12	3	5	95%
Bajo eléctrico	9	0	0	4	98%
Soprano	11	0	0	6	77%
Flauta	11	0	0	7	66%
Alto	8	0	0	5	53%
Barítono	10	0	1	3	42%
Tenor	7	0	0	4	42%

"Iglesia somos" (Cesáreo Gabaráin)

Stulta Auricula

1:01	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	6	2	5	100%
	11	7	1	3	96%
Bajo eléctrico	11	0	0	3	100%
Alto	9	0	0	4	58%
Soprano	11	0	0	4	58%
Barítono	12	0	0	5	46%
Tenor	9	0	0	4	46%
Flauta	11	0	0	4	38%

"Vienen con alegría" Cesáreo Gabaráin

Stulta Auricula

1:24	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	2	6	100%
	18	4	1	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	2	6	100%
	18	4	1	4	100%
Guitarra clásica	18	15	3	3	100%
Bajo eléctrico	12	0	0	5	98%
Alto	8	0	0	6	80%
Soprano	8	0	1	6	80%
Flauta	17	8	1	7	71%
Barítono	10	0	0	5	45%
Tenor	8	0	1	6	45%

"Este pan y vino" (Carmelo Erdozain)

Stulta Auricula

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	6	0	4	59%
	10	5	0	3	72%
View all 14 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	10	6	4	59%
	10	5	3	72%
Alto	8	0	6	75%
Barítono	10	1	6	75%
Soprano	8	0	6	75%
Tenor	8	0	6	75%
Contrabajo	5	0	3	72%
Viola	15	0	7	72%
Violín	17	0	6	72%
Violonchelo	11	0	6	72%
Bajo eléctrico	9	0	5	59%
Guitarra clásica	9	9	3	56%
Corno inglés	7	0	5	47%
Flauta	4	0	5	38%

"Dios est aqui" (Javier Gacías)

Stulta Auricula

1:22	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	7	1	4	100%
	14	6	2	2	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	7	1	4	100%
	14	6	2	2	100%
Corno inglés	8	0	0	4	97%
Bajo eléctrico	9	0	2	4	87%
Alto	8	0	0	7	77%
Soprano	6	0	0	7	77%
Barítono	9	0	1	5	45%
Tenor	10	0	0	5	45%
Flauta	10	0	0	5	32%

"Reunidos en el nombre del Señor" (Francisco Palazón)

Stulta Auricula

2:21	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	14	1	1	5	100%
Viola	14	1	3	4	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín	14	1	1	5	100%
Viola	14	1	3	4	96%
Violonchelo	14	11	2	5	95%
Contrabajo	14	11	2	5	95%
Alto	9	0	0	4	63%
Soprano	11	0	0	4	63%
Barítono	9	0	0	4	51%
Tenor	10	0	0	4	51%
Flauta	8	0	0	3	41%
Oboe	9	0	0	4	35%